The Psychology of Music

pter titles show continuing interest in many of the traditional topics--rhythm, melody, scales, musical ability, the nature of sound--and also in newer areas of inquiry, e.g., the neuropsychological study of musical perception. The editor has succeeded admirably in making this edition a valuable and timely resource for musicians and psychologists at the upper-division undergraduate level and above.''
--CHOICE, reviewed by W. M. Bigham, Emeritus, Morehead State University, March 1999